Choreography  
 
According to Prof. C.V. Chandrasekhar, (Rema's Guru) eminent scholar, dancer and choreographer says that  the dance dramas choreographed and presented by Rema Shrikant, who is trained in different classical styles like Bharatanatyam, Mohiniyattam, Kathakali and Kuchipudi, show very creative ideas and spectacular group alignments. Her training in many of the classical forms gives her an added advantage in her choreographies.
 
   
Press Comments of Choreography
  Keraleeyam - 2007
     
 
Cultural fiesta in Palakkad
The Swaralaya music and dance festival-Oct.2007
K.K. Goplalakrishnan, The Hindu, Kerala Edition  
   
"The piece de resistance of the festival was the 'Keraleeyam' presented by Vadodara-based Rema Shrikant and her seven disciples. The fine tuning of the group unfolded poetry on stage. Poetry that had imbued the cultural aesthetics of Kerala, starting a temple procession and a caparisoned elephant.

The perfect blend of music and dance underscored the choreography of Rema Shrikant that had integrated elements of Mohiniyattam, Bharatanatyam, Kathakali, Kalaripayattu, harvest songs, folklore and myths, among other things. Music by Priya Menon was a medley of verses from the "Narayaneeyam' and "Bhajagovindam" and compositions of Swati Thirunal("Chaliye Kunjaname...') and Kavalam ('Karukare karmukhil..')".
   
 
 
   
Mooladharam - 2005  
 
    Body Language- Dance
  Sharmila Basu Thakur
Metro, Calcutta, Friday 9th December 2005
   

"Innovation in traditional dance format was the central attraction of the programme presented by Anjika in association with Open Doors and Sanskriti Sagar at G.D. Birla Sabhagar November 27th. The evening opened with Mooladharam, a dance drama in Bharatanatyam by Rema Shrikant's group from Vadodara. It was  a colourful illustration of Kundalini, the energy in the human body mentioned in the yogic texts. The wedding sequence of Ganesha to Riddhi and Siddhi as his consorts was a gorgeous one with colourful umbrellas, masks and other interesting props. Precise group synchronization and perfect techniques made it a production with a difference"
 
   
  Maya - 2000
  The Uday Shankar Dance Festival 2001
by Tapti Chowdhari, Kolkatta - attendence 		 
 
 
On the last day of the festival, the Ellora Centre for Performing Arts, Baroda, and Presented Maya, choreographed by Rema Shrikant. It was a rare treat. The dances were composed beautifully and the coordination between the dancers was awesome. The stage space was used to advantage. The team had worked hard and produced a thing of beauty. Rema Shrikant needs to be congratulated for her work. Rabindra Sadan was bursting at the seams on that day, the last day of the festival. There were people sitting on the floor of the hall".
     
Captivating Mystical 'Maya'
by Shyama RajgopalTTHE HINDU, October 12, 2002

"The stage was full of happenings. Happenings of the world. They came and went enthralling the audience, and before any interpretation, they were gone, just like `maya'.

Maya - the ballet choreographed by dancer Rema Shrikant from Vadodara, was a wonderful piece of beauty".

Mayaa - the ballet choreographed by dancer Rema Shrikant from Vadodara, was a wonderful interpretation of the concept of `maya' based on the Sankhya philosophy. The show was organised by the Cochin University Research Scholars Association (CURSA) on Thursday.

With a Hindi script set to tune based on Hindustani ragas, Mayaa was a piece of wonderful choreography in Bharatanatyam style. Fast paced, there was not a moment which did not engross the audience. The movements were supple and the performers were good with their style and coordination".
 
   
Shree Ganesha - 1998  
  Three Words Pronounced in Dance
Seema Rajendran,The Times Of India		  
 
     
"The dance ballet on Shree Ganesha organized by the Ellora Centre for Performing Arts on Sunday evening was an educative and scintillating experience.The most striking part of the programme was the excellent synchronization amongst the 15 dancers and the flawless flow of the sequences. Not to forget the dexterity of the dancers, both at the abhinaya and nritta, pure dance. The best tribute to the performance was the refusal of the audience, at the C.C. Mehta Auditorium to budge from their seats till the programme ended'.
 
   
  Andal - 1995
 
'Andal'   Depicts Intense Devotion
by Leena Misra, THE TIMES OF INDIA, March 1, 1995
  
 
     
The Ellora Centre for Performing Arts (ECPA) recently staged the dance-drama “Andal” at the C.C Mehta Auditorium based on the saga of the Vaishnavite poetess of the south.The dance drama isbeautifully choreographed by Rema Shrikant on the poems by Andal depicting a cascade of emotions, there is the little girl building sand castles,the young woman in the pangs of separationfrom her lover and yearning for her union with him and lamenting on his indifference towards her"
 
   
Major Choreographic Presentations of Rema Shrikant  
     
 
2007

 

 1. Gujarat Sad Kal - a thematic choreography dedicted to the people of Gujarat.

2. Keraleeyam, a dance drama showcasing the cultural aesthetics of Kerala, folklore and myths.
2006 Kutch Symphony - Sharadostave, showcasing Kutch life

2005

 Mooladharam, a dance drama based on the arousal of Kundalini Shakti.
2003
Jai Jai Garavi Gujarat, A choreography  based on the glimpses of Gujarat.
2001
Maya, the Illusion – unattained reality – unseen attachment,a dance drama.
1999
A short ballet based on Energy Conservation.
1999
Skanda, dedicated to Lord Kartikeya.
1998
A dance drama dedicated to Lord Ganesha.
1995
Andal, based on Andal.
1995
Rasa Ranjini, based on the Navarasas.
1991
Nritya Nivedanam, based on the evolution of Bharatanatyam.
1989
Geeta Govindam based on Jayadeva’s Ashtapadis.
1981
Dasavataram based on the incarnations of Lord Vishnu.
1979
Shree Krishna Leela based on the pranks of child Krishna.